One of the tragedies of art is how much perfectly decent stuff is chucked away. The 300 hours of footage I shot for Janapar is a case in point. The finished film is 79 minutes long, so for every minute of footage I shot, another four hours were binned. (Admittedly, plenty of it was shite, but a lot of it wasn’t.)
Beginning today, then, I’ll be bringing the best of this extra material back to life. For those who’ve seen Janapar, these clips will explain a few things glossed over in the main feature. For those who haven’t seen it, they’ll be entertaining glimpses of life on the road in their own right.