The second in this series of Janapar bonus video clips will raise a smile with many cycle-tourists. For some of the best two-wheeled travel tales derive from overnighting under the most unlikely of circumstances.
One of the tragedies of art is how much perfectly decent stuff is chucked away. The 300 hours of footage I shot for Janapar is a case in point. The finished film is 79 minutes long, so for every minute of footage I shot, another four hours were binned. (Admittedly, plenty of it was shite, but a lot of it wasn’t.)
Beginning today, then, I’ll be bringing the best of this extra material back to life. For those who’ve seen Janapar, these clips will explain a few things glossed over in the main feature. For those who haven’t seen it, they’ll be entertaining glimpses of life on the road in their own right.
A lot’s happened since Janapar’s premiere at Raindance last year, but one of the nicest moments was winning one of the top awards at Sheffield Adventure Film Festival, one of the UK’s main fixtures in the adventure & outdoor festival calendar.
It was particularly rewarding given the ridiculous amount of work that had gone into putting it together — four years of shooting, two years of production and 6 months of distribution so far, unpaid, and the ongoing storytelling project still occupies a large chunk of my time.
I learned a huge amount during the production process — as did James, who’d spent half a decade cutting his teeth in the TV industry. And there are plenty of articles on the way for those of you who are interested in trying your hands at adventure filmmaking — hopefully on a more sensible scale! (If you’re not interested, don’t worry; tales from the road in Iran and new adventure cycling projects are coming too.)
Today I’d like to share a special 12-minute documentary, going behind the scenes in the studios, edit suites, voiceover booths and broom cupboards we worked in — a rare insight into the production process of an adventure film.
So I’m back in Yerevan, my Iranian visa application is filed, and I’ve a week to kill: a good opportunity to look back before the madness of travel descends. It’s been an eventful few weeks with much food for thought.
I’ve toured all over the UK and Ireland, attending 12 dates between the book launch in London a month ago and the Sheffield Adventure Film Festival last week.
I’ve travelled 2,627 miles by train (yes, I was bored enough to figure this out), taken 3 ferries, cycled a few hundred miles, and only encountered a single rail-replacement bus service.
I’ve stood on stage with a microphone in a 449-seat auditorium, and I’ve sat beside a pile of books in a café where only 2 people showed up.
I’ve slept in business hotels (nice, not-so-nice and truly abysmal), on the floor of student digs, and on deserted beaches in a bivvy bag.
The variety of experience has been fantastic, but the month has not been without its stumbling blocks. As with the annual review I conducted at the end of last year, there are two obvious questions:
What went well?
What didn’t go well?
(By the way, now’s a good time to grab a cup of tea.)